dj rocca kicks off his new release with a bouncy, deep and machine driven track laced with occasional synth stabs and highlighted with simple but effective percussion. next up is a wonderful track weaving in out of a harmonic house theme and a synth heavy banger. this tune will definitely drop some jaws and raise some eyebrows on the dance floor with dancers mesmerized by the lightness with which rocca switches up the game in one tune. to finish up the ep the b-side serves up a house heavy theme with a slightly distorted vocal and a more psychedelic slow jam perfect for the next late-late session.

drop that records is the continuation of the concept label b.l.a.t.t. . it is more striped down in his appearance and even more focused on the dancefloor. the sound will move between reduced & dubbed out house & techno music. on each release you will find some forgotten specials a vinyl record could entail. drop that_001 features 2 tracks by mint 4000 and a live jam by sevenmint, a long term livepa collaboration between seven (rg25) & mint 4000. music can say more then words, so listen and enjoy.

vondelpark releases the new single from the critically acclaimed *seabed* debut album.
*always forever* is a blissed out hazy love song with lewis rainsburys plaintive vocals at the fore, and one of many highlights from the album.
on remix duties is john roberts who has just released the excellent *fences* album. he warps the original into a beautiful, leftfield, alternative mix with some slick tape effects.

autophobia ft. luna is the lead cut from louie frscos forthcoming debut album due early next year. it comes backed with a stunning remix from label bosses art department, their first mix in some time for the imprint and a real gem from the ever on-point production duo. also offered up is an equally interesting effort from eric volta and that is sure to take the versatile young producer to the next level.

phonograph music proudly presents their birth release *we are here* by square room heroes this is the debut release for the greek berlin- thessaloniki based duo who they have previously recorded eps with visionquest, claap music and high stings, they are back with some excellent house grooves with lots of roots of u.s house this ep features two tracks, the a-side (ny) is a solid deep house with hypnotic vocals on the background and cool pads, simple but effective. at the b-side (strictly house) it is one to drop at the right time to change the mood on the floor.

melodram recordings is back with this new 4 track epwhich includes 2 original tracks and 2 remixes by our homies natan h & ene! soul thing is an exercise for brain dancing. a deep introspection based on an hypnoticassortment of cymbals, snares and other infectious elements, like those incisivemelodies, to create some house-disco and low techno. a slow tempo that lets you listen to each instrument separately. academic snare rumblesfrom analog drum machines, strong paces and much depth that perfectly fit with melodram. enjoy!

after 17 years at the top of its game chronic is undergoing an evolution. from its beginnings as an undercover outlet for some of the scenes biggest names chronic has always kept its feet firmly on the dancefloor. with d&b now commercially accepted the world over, 2013 sees one of the scenes original no frills labels reborn, with a new look and a renewed passion to cater strictly for the underground on which this scene is built.
a new roster of fresh talent joining forces with established artists to produce what can only be described as raw, uncompromising drum & bass. switching between straight up rollers, deeper darker beats and dancefloor smashers. 4 huge tracks taken from the 20 track chronic rollers album this double pack gives a snapshot of the chronic sound, and you need that sub turned up loud to feel these – these tracks are not for daytime radio!
club support: bailey, bryan gee, crissy criss, dj hype, sub focus, dj marky, dj krust, dj craze and more!

drug machine inc. no. 2 consists of two very deep and spiritual techno traxfrom the well known ascon bates and saxonys underground-hero harmond age, who is also known as feindlich. support by some of the greatest global players!

standard lp 2x12lp in standard gatefold + poster (90x60cm) + cd!

arriving at a fourth midnight riot label compilation in little over a year is no mean feat from yam who?s production operation, and the key to their success lies in the diversity of sounds you can include within the overarching theme of nocturnal grooves.
yam who? call on some respected names to contribute the next midnight riot 12 inch series, including caserta and indeed the boston based producer provides perhaps the best example of a nocturnal groove with his slow burning, beat down house cut >get down<.
the scandinavians the glue turn out their second cut from volume 4 with the uplifting, hypnotic disco burner pink ink which is receiving massive dj feedback.
again from another far-flung corner of the disco globe are the macedonians mosaik who smash it again for midnight riot with 2 much heaven a deep slinky moodymann inspired filtered loop classic. the final cut we bring you australias dj raw sugar with his strongest cut to date, sunroof top again another detroit inspired stone cold cosmic groover

balkan tribe, the two traveller sounds thorugh the angle of an unknown tchek artists wishing to keep his music anonymous. underground cirkus sound! hide your chickens away... because we might be intown some day!

great pack with some of the best artists in the infamous planet rhythm imprint combined in 3x12 for a nice price. feat. lars klein, exium, takaaki itoh, space djz, oliver kucera & carlos rios and gunjack.

a-side brings a 45rpm mentalcore speed hardtechno, very progressive with some good bloody breaks, and bass changes! twirling stuff absed on a david green sample... playable at 33rpm.. b-side brings one 33rpm dub techno breakbeat track, very efficient, with a long dub intro, opening on a massive kick where it was expected. a real tune travelling into style and remaining dancefloor, this tune is a postal collaboration between lityk and vulpine smile from usa. one side 33 rpm boostables and one side 45 rpm playable 33rpm... a superb record we are very proud to co-produce with lityk.

fun, fast paced, hypnotic jacking track by 19.454.18.5.25.5.18 with remixed versions by serge & tyrell. we couldnt resist to press some copies of these tools so we can play it out loud from vinyl! limited purple coloured, black marbled vinyl!

paris based dj and producer reverend p have been on the gamm radar for quite some time. but its not until now that we managed to get his wonderful edits released through gamm.
spread out over two eps reverend p delivers soul, funk and boogie reworks that sets himself up there with all the big players on the edit scene. on part 1 we find a hot selection of marvin tunes and a soulful chi-lites track.

gianluca pandullo stretches out for some funky afro-caribbean inflected house on the a, while federico gandin & jordan fields get all sympatico on the flip.

*my recent sets have become something of a tici taci megamix* … andrew weatherall, as recommended by the chairman. a brand new label with some old hands on deck, tici taci is bringing the funk back with this first release - electric plum. producer duncan gray (ex sons of slough, veteran of many vinyl labels) has gone back to basics, slowed things down to 110bpm and plugged in the real instruments.

for the fifth release on roots for bloom, michael james delivers 3 bumping cuts of very much dance floor orientated music. the opener infinite state gets you moving straight from the off with some edgy stabs and serious groove. high roller carries on where the a1 lets off upping the tempo but maintaining the direction. the b side freeze is a more techno influenced track, but still hold that underlying groove.

following up his groovin ep, french house producer kool vibes releases his second ep, time & chances, for his own kv label. stepped rhythms, phased hats and soul-grunting vocals in *get u down* make for a lush and playful take on four-four french-tipped house, while *high up* features short sustained rhode stabs and 90s vocal shouts. *time & chances* is a little rougher in its musicality and drum processing, adding some jazz elements, whereas traditional house combos come to the fore in *something i m feelin*, as chords and crashing hats lock in and out of each other with electric flow.

rhythm plates re-emergence through their pressed for time label continues apace on this second release, a split 12 inch that pairs a new cut from matlocks finest with solo productions from ant plate as yse and yse saint laurent. hissy warehouse beats, simple chord vamps and rapturous oh-vocals characterise yses dryish yet muscular 99% invisible, whilst plates yse saint laurent contribution when you love me pairs some r&b vocal sampling with drawn out synths and wispy percussion placed on top of a grooving bassline similar to bernard badies 09 mojuba hit move to the beat. rhythm plates submission, i think i ve dreamed this before adds a warming calmness to the ep, allowing a spirited synth line to traverse its arrangement like a geisha float-walking through an japanese garden of snowy arpeggios and moss covered basslines.

new sheffield label shabby doll records makes its debut with nails donks ep. nail is nottingham-based neil tolliday, a producer who spent the last decade creating deep downtempo joy as one half of bent – their debut album *programmed to love* helped ease the worlds ills back in 2000. now, with love for nails solo manoeuvres truly reignited, sheffields shabby doll label is taking the next step with his first new solo material for years. called donks, nails new four-track ep showcases his flawless dancefloor instincts: there is something deliciously seductive about this early hours charmer. one to play when things are getting wonderfully weird… and finally, never4gedit brings back the sunshine with some sweet, melody-flecked disco. with nails vintage house output currently proving to have real staying power, lovers of real british house music eagerly await his new tracks. so if you have got a dark room and a feeling, let nail, shabby doll and donks add a little magic to the night.

emotional relish welcome in their second ep of 2013 with some solo work from scott fraser after a previous collaboration with headman and nitzer ebb vocalist douglas mccarthy. the light sleeper ep pairs two trademark fraser cuts with remixes from the aforementioned relish boss and fellow weatherall acolyte timothy j fairplay. a drab bassline wades *paraphase mine* into the murkier exclaves of synthy territory, allowing headman to lighten the mood by adding some tonal difference in his mix. fraser sets his arpeggios to flutter and bounce in *centreville lapse* with marching snares set to a severed heads styled reverb. fairplay does away with the tracks nosier components, demystifying frasers original for a warmer, eat petting remix.

the rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenals 98 fa cup winning side. the nigel winterburn of the release is coyotes without the e, a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles. aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust, while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder, an ebm and industrious dancefloor workout.

after successful releases on space breaks and shanti labels, petr serkin presents next one, on the new russian label! deep house tracks with warm groovy disco parts. the first side opens with very emotional breakdown treatment, next comes the dancefloor kicker freedom experience with solid low basement. on the other side you will find catch the flow, based on unstoppable guitar bass with some keys and licks. and the last one is ocean returns, a nice deep melodic disco-thing. supported by soulphiction / jackmate, franklin de costa, session victim, moodymanc...

first juke joints remix package of a scheduled three with some serious remixers in the pipeline. fort romeau, cassy and ryan elliott step up offering their own personal interpretations of parris mitchell.

in 2011, we begin to think about doing a record label. we had been following somaticae for some time and at this moment he was playing some art & punk gigs with a furious live of electronic improv, on the edge between hypnosis and noise. two of these sessions became our second release, *dressed like a bubblegum*, raising the interest of people like surgeon, perc, and peter van hoesen , his remix for mondkopfs *ease your pain* receiving praise from ancient methods as well as labels downwards and avian. but somaticae had already moved forward, and in a matter of a few weeks, he was sending us what quickly and easily took shape as *catharsis*, a ten track piece which is to be the first album release on in paradisum.

the london based ross evans is coming up again on numbers with a great 4 tracker. after releases on label such as cocoon, saved, break new soil, cr2 and get physical records, just named a few, we finally put 4 strong tracks on the 26th catalog number. the ep starts with someday acid influenced prime time monster. a2 abzorda shows some catchy deep vibes with a cool atmosphere. on the flip we got two more named deranged with the hypno vocals and the screwing bassline and last but not least stroke my ego with the classic deep house touch. hope you enjoy and play numbers

after more than a decade of silence no gigs, no music, no nothing, gramme return with their debut album fascination. the cult around the band and their lone release, the pre-release ep, continued to grow until in 2011 some mysterious 12inch bootlegs of like u began to appear, with edits by joe goddard of hot chip. a few months later self released white labels begin to circulate with new gramme material. those recent eps have gone on to form fascination, the first full studio album by gramme

having launched the n16 loving newington label with a split release from a range of bubbling uk house talents, waze & odyssey turn to a more familiar name for the second release with the cross flatts ep from pbr streetgang. formed of the wonderfully named bonar bradberry and tom thorpe, pbr streetgang have been quietly accruing a respectable discography since the project was founded oop north roughly five years back. elevated into wider consciousness last year thanks to some stellar 12 inches across hot creations, 20:20 vision and futureboogie, it makes perfect sense for bradberry and thorpe to add the similarly minded newington label to their cv with both cuts on this 12&#8243,,, fitting snugly into the current lexicon of vocally driven deep house.

belfast bass producer unknown who has built up a huge following with a steady stream of tunes on youtube and soundcloud, made his vinyl debut with last years #001-010 series on champion sound recordings, and now he returns to the label with his best and most diverse work yet, the i cry ep. the unknown trademarks – waves of sub-bass, expertly swung percussion and a dark, seductive and tense atmosphere – are all there, and he is pushing into new and fascinating territories too, with some brighter textures, house vibes and his first ever vocal collaboration on the stunning title track, *i cry*.

horror inc.s first full length album montreals marc leclair, a long time buddy of perlon and also known to some as akufen, delivers 10 tracks and takes us on a very personal trip through the depths of booh. dont miss horror inc.s fabulous live-set, as he is currently on tour

kicking in with analogue sounding toms a rather tense and high pitched string and some nightclub crowd samples, munichs henry gilles immediately brings the tension before dropping the beats and some serious funk.
pressing on translucent 10 inch vinyl.

beach mode (keep it simple) is the perfect snapshot of ikonikas new album aerotropolis. it is also her first vocal track, graced with the voice of *one to watch*, jessy lanza. beach mode combines sunny salsa-like chords and claves, inspired by latin freestyle dance music from the 80s, with jessys vocals cutting in over some soaring rough synths. it is a refreshingly straight forward and sensual piece of pop dance. side b starts with a dub mix for all the vocal haters, while the percapella version breaks it down into a syncopated drum track and a slightly dubbed take on the vocals, giving it a tracky and colder toughness reminiscent of early chicago house music. get into beach mode.

dark maneuvres is a track which lives up to its name, the original expressing pumping, dark and crunchy sounds interspersed with string arrangements and overdubs which move the track in various different directions. the 1996 original is a great example of some production techniques of the time and is of interest in identifying the direction of the techno sound in that era, as well as being eminently listenable. slam were very much involved in the progression of techno at the same time as envoy was creating tracks such as dark manoeuvres and as such they have a real handle on how things have evolved, enabling them to bring a classic release such as this bang up to date. the distinctive hook, attention-grabbing melody and strings which are distinctive elements of the original are all incorporated in a full and fresh dynamic which sees some of these elements regrouped in individual sections such as the strings or moulded with deeper, darker resonance into a new expression.

hailing from chicago, the latest entry from our new skudge white series sees innerspace halflife venture into some of house and technos eeriest realms. when ike release and hakim murphy joined forces sometime last year, we immediately thought that their very own cosmic take on jackin house would be a perfect fit for our label, and boy did they deliver!

nice price deal !!! emil berliner is by some right now considered one of the new most striking and noticeable newcomers of the new dance scene in vienna. his brand new unexpected ep expresses exactly this attitude and takes in before mentioned attributes such as deepness, joyfulness and tenderness. the opening track is called little miss sunshine and definitely has a velvet touch to it, and is very much determined but in a cautious and gentle way. the laid back style is gripping and it is these details which are like rare goods, hard to find goods which appear here just at the right time

at the edge of failure a door to greater understanding and discovery is sometimes opened. some of mankinds greatest discoveries and experiences took place by sheer coincidence or even by mistake. from the big bang, to penicillin, or the invisible light we call x-rays, chance and human error has played a big part of our history and evolution as a species - can we really afford to be perfect when we owe our mistakes and weaknesses so much?

will & ink, a new label and production duo for felix lenferink (aka frits wentink) and presk. showing their male side with some raw and pounding sounds that is brought to life through custom built hardware. will & ink step away from their solo productios and goes into techno realms! starting the action with this amazing three track fermat ep.

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

new edit serie from two edits. some naughty edits here. the a side is classic disco re shape for the slo-mo crowd out there. on the b side we have a more trendy oldschool chicago house rework. some excellent edits on wax. vinyl only!

without trying to making it into a thing in its own right, there is a bit of a coincidence that is appearing for some of our houndstooth artists. following dylan richards chrysalis-like metamorphosis into house of black lanterns, alec storey is the latest artist to shift phase and re-christen his output after signing to our label, progressing from the al tourettes moniker in favour of the more becoming, second storey. whilst his new name might be in homage to the musical path set forth for him by his father, the four-track margosa heights ep sounds very little like anything you have heard from the bristol based producer before.

a quick listen to the radio suggests that disco is back, not that it ever went away here at retrospective and over the past few months we have been proud to work with some of the biggest names on the scene including heion, hardway bros and ajello. still there is certainly something in the air and so what better time to welcome back to the labels spanish king of the re-edits, rayko, with a stunning new 4 track ep.

breaking crowns with their smooth, synth-struck melodies since launching in 2012, jack fell down are making some serious waves on the deep house scene right now. with four tracks in total, this ep shows the duo at their most extensive and comprehensive. boasting the distinctive confident laziness of vocalist stee downes throughout, across the ep you will drift away to a whole new world on the deep, dubby title track, you will bump and grind to the 2 bears-style *no way* and you will lie back and receive a full mind massage from *just begun*. jack fell down ... and the vibes came tumbling after.

phantasy is proud to announce its next release by the legendary in flagranti. revered by many to be amongst the best producers and artists of underground club music, the swiss duos sounds have been staple in the sets of some of the worlds finest djs, from phantasy boss erol alkan to james murphy, tim sweeney, horsemeat disco and many more. their headrush ep features four cuts with only the dancefloor in mind, each track echoing the sexuality, style and darkness of the late night disco.

nice price deal !!! we have been following belgian producer ozka for quite some time whether it be techno, house, electronica or bass music: he has a unique take on it and it always sounds fresh.

i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.

following some very well received releases on international feel & rogue cat, dean meredith & ben shentons mind fair deliver their best work yet on the mighty golf channel. four superb tracks of loosely assembled and live workouts, ranging from psych-funk, to the superb pulsing, european jam of wrong wire to more avant-garde explorations. beautifully fusing vintage synths, live instrumentation and an expert ear for dynamic arrangements - this is another gc classic!

lil jabba isnt like the rest of them. while they are busy joining the dots between house and techno or whatever is safe right now, he is throwing paint all over the page. he is not american, but he is affiliated with chicagos teklife crew (dj spinn, dj rashad, etc.) and divides his time between baltimore and brooklyn, exhibiting his visual art, riding around with his bike gang and making some of the most hypnotic juke and footwork you will ever hear. local action have been figuring out a release with him for over a year - eventually an ep wasnt enough, and they persuaded him to make it a full-length album, scales. some of scales has already seen the light of day through youtube or limited cassette releases, some of it is unheard. some tracks sound cleaner than others, that is because they are newer. that is how these things work. what is consistent throughout scales is the quality: across 12 tracks, jabba flips, twists and inverts the footwork template with endless layers of samples, gurgled vocal tags, jazz licks and whatever else he feels like. these arent trax, they are tapestries.

nice price deal !!! the idea for the sundowner sessions came about when mike found an old tascam cassette 4-track recorder at a garage sale in maplewood new jersey a few months ago. he went home and recorded some songs over a few extended sessions in his living room with headphones while his daughter napped upstairs. taking influence from early belgian trance and the diy noise and power electronics records simonetti released on his old label troubleman- the idea was to capture a moment in time and document it, and never revisit it again. projects like this is why new jersey exists as a label.respect to come org, united dairies, steinklang, american tapes, transmat, hospital prod, and tesco.